JAMFACTORY ASSOCIATE TRAINING
PROGRAM, SOUTH AUSTRALIA
JamFactory is a unique cultural organisation promoting
good design and fine craftsmanship through its widely acclaimed studios,
galleries and shops. It is an iconic institution within South Australia
and is recognised nationally and internationally as a centre for
excellence. Since its establishment by the South Australian Government
in 1973, JamFactory has been presenting outstanding exhibitions and
public programs, nurturing the careers of talented artists, craftspeople
and designers and supporting the incomes of entrepreneurial
designer-makers.
JamFactory’s Associate Training Program provides
high-level skills and business training for artists, craftspeople and
designers working in the areas of Ceramics, Glass, Furniture or Metal
Design. Associates spend two years developing their own work under the
guidance and mentorship of accomplished creative staff while gaining
specialised knowledge and expertise through collaborative work on
JamFactory projects, products and commissions. Further mentoring and
critique is provided through visiting artists and designers and through a
process of peer to peer learning.
The deadline for applications is 31st October 2012.
Positions must be taken up on 28th January 2013. If you would like to
apply, please contact the Creative Director of the studio you are
interested in to find out more before submitting a written application.
E: karen.cunningham@jamfactory.com.au
W: http://www.jamfactory.com.au/associate-program.php
Showing posts with label International. Show all posts
Showing posts with label International. Show all posts
Sunday, 12 August 2012
WHEATON ARTS FELOWSHIP,
PHILADELPHIA
The CGCA Fellowship Program at WheatonArts is a professional level program providing focused and self-directed artists working in glass with a concentrated period of time to work alongside their peers. Fellows work toward a common goal of advancing their careers through the perfection or refinement of techniques needed to develop a new or expanded body of work. The CGCA program is an environment where we provide the facilities, equipment and a technical orientation; however we do not have technical assistance on hand.
Artists have the use of private studios and excellent facilities within a respectful sanctuary of concentrated time. This is an exceptional opportunity for artists to utilize one of the finest facilities of the glass medium, known internationally. Not only do artists get exceptional access to these facilities and various process mediums, but they also receive generous stipends, private studios, technical assistance, comfortable housing and institutional support. In addition, they are embraced by a dedicated and warm staff, all on a beautiful 65-acre campus that is truly a creative sanctuary, just 45 minutes south of Philadelphia.
The application is simple and the jury process exceedingly sensitive and fair. Only ten C.G.C.A. fellowships are given per year but the process is free, easy and surprisingly open. The deadline is 25th October 2012.
W: http://www.wheatonarts.org/creativeglasscenteramerica/fellowshipprogram
The CGCA Fellowship Program at WheatonArts is a professional level program providing focused and self-directed artists working in glass with a concentrated period of time to work alongside their peers. Fellows work toward a common goal of advancing their careers through the perfection or refinement of techniques needed to develop a new or expanded body of work. The CGCA program is an environment where we provide the facilities, equipment and a technical orientation; however we do not have technical assistance on hand.
Artists have the use of private studios and excellent facilities within a respectful sanctuary of concentrated time. This is an exceptional opportunity for artists to utilize one of the finest facilities of the glass medium, known internationally. Not only do artists get exceptional access to these facilities and various process mediums, but they also receive generous stipends, private studios, technical assistance, comfortable housing and institutional support. In addition, they are embraced by a dedicated and warm staff, all on a beautiful 65-acre campus that is truly a creative sanctuary, just 45 minutes south of Philadelphia.
The application is simple and the jury process exceedingly sensitive and fair. Only ten C.G.C.A. fellowships are given per year but the process is free, easy and surprisingly open. The deadline is 25th October 2012.
W: http://www.wheatonarts.org/creativeglasscenteramerica/fellowshipprogram
Friday, 25 May 2012
IRISH GLASS 'ELEMENTS' REPRESENTED AT SHANGHAI ART FAIR
Professor Zhuang Xiaowei, Professor of Glass in the Glass Studio of the Fine
Arts College in Shanghai University and Director of the Glass Museum of
Shanghai, visited Cork late last year and subsequently invited Irish artists to
exhibit their work in Shanghai in the New International Glass Exhibition that
is to be part of the Shanghai Art Fair.
The Fair will take place 10th - 14th May as part of Art Shanghai with the exhibition 'Elements' curated by Mary Mackey.
Irish glass is represented at the fair by Sean Campbell, Aoife Soden, Mary Mackey, Alison Lowry, Andrea Spencer, Róisín De Buitléar, Debbie Dawson and Michael Ray.
The Fair will take place 10th - 14th May as part of Art Shanghai with the exhibition 'Elements' curated by Mary Mackey.
Irish glass is represented at the fair by Sean Campbell, Aoife Soden, Mary Mackey, Alison Lowry, Andrea Spencer, Róisín De Buitléar, Debbie Dawson and Michael Ray.
ART Shanghai 2012 will be held in Hongqiao New Town Central Park based on
its location in Hongqiao Development Zone and its ecological natural
environment.
W: http://www.craftinireland.com/events/details/art-shanghai-with-elements-curated-by-mary-mackey/
Saturday, 28 April 2012
ENGAGING WITH GLASS, TRAVER GALLERY, TACOMA
The Traver Gallery in Tacoma is proud to serve as the only United States venue for Engaging with Glass; the first comprehensive survey of Irish glass art in over a decade. The exhibition brings together a broad spectrum of work in glass, ranging from beautifully executed decorative objects to conceptual installation pieces incorporating video elements.
Originally presented at the Solstice Arts Center in Meath,
Ireland, Engaging with Glass was organized by Solstice director
Belinda Quirke, along with artists Caroline Madden and Deirdre Rogers.
Irish artists working at home or abroad, as well as foreign artists
living and working in Ireland, are included in the exhibition, which was
juried by Dr. Audrey Whitty, Curator of Ceramics, Glass and Asian
Collections at the National Museum of Ireland and Tina Oldknow, Curator
of Modern Glass at the Corning Museum of Glass.
In essays included in the full-color catalog produced
alongside the exhibition, juror Audrey Whitty notes that the show
reflects an international trend to marry concept with an exceptional
level of technical skill, while Tina Oldknow highlights two major themes
seen in the show: narrative work addressing memory and time and objects
exploring various perspectives on abstraction.
Seattle artist Paula Stokes, whose work is included in the
show, was instrumental in bringing Engaging with Glass to the
United States. After traveling to Ireland to attend the exhibition
opening in Meath, Stokes was convinced that the work deserved to be seen
by a wider audience and approached the Travers about mounting the show
in their Tacoma location. Working with Solstice Art Center director
Belinda Quirke, Stokes secured funding from Culture Ireland and the
Crafts Council of Ireland to bring the exhibition to Tacoma.
The Seattle/Tacoma arts community has shown a great deal of
enthusiasm for the exhibition, and several public programs have been
developed around it. Dr. Caroline Madden, one of the exhibition's
organizers and an artist featured in the exhibition, will teach a Master
Artist class at Pratt Fine Arts Center in Seattle from April 13 - 15.
Madden will also be featured as an Artist in Residence at the Museum of
Glass in Tacoma from April 18 - 20.
T: 00 1 253 383 3685
E: tacoma@travergallery.com
W: www.travergallery.com
Working with Light as a Means of Interaction between Space and the Mind is the title of the University of Sunderland’s international architectural glass symposium to take place on 17th and 18th May 2012. Speakers will include Alexander Beleschenko, Rodney Bender, Algirdas Doveydenas, Marián Karel, Tim Macfarlane, Daan Roosegaarde, Judith Schaechter and Dana Zámecníková. Conference fees are £55.00 for one day and £90.00 for two days (if booked before 1st May 2012).
W: http://onlinestore.sunderland.ac.uk (search conference/events - International Glass Symposium)
ARCHITECTURE AND THE ARTISTRY OF GLASS, UNIVERSITY OF WOLVERHAMPTON
As part of the 2012 International Festival of Glass this one-day symposium entitled Architecture and the Artistry of Glass explores the relationship between glass and architectural forms whether in terms of building materials or the artist wedded to architecture. The symposium brings together artists and designers with distinguished international profiles including John Lewis, Danny Lane, Brent Richards, Tomasz Urbanowicz and Keith Cummings. This symposium will take place on Friday 24th August 2012 from 10sm to 5pm. Prices: standard £130/ student £65.
E: Max.Stewart@wlv.ac.uk
W: www.wlv.ac.uk/artanddesign/glassbiennale
As part of the 2012 International Festival of Glass this one-day symposium entitled Architecture and the Artistry of Glass explores the relationship between glass and architectural forms whether in terms of building materials or the artist wedded to architecture. The symposium brings together artists and designers with distinguished international profiles including John Lewis, Danny Lane, Brent Richards, Tomasz Urbanowicz and Keith Cummings. This symposium will take place on Friday 24th August 2012 from 10sm to 5pm. Prices: standard £130/ student £65.
E: Max.Stewart@wlv.ac.uk
W: www.wlv.ac.uk/artanddesign/glassbiennale
EUROPEAN GLASS CONTEXT 2012 ARTIST IN RESIDENCE OPPORTUNITIES
European Glass Context 2012 is organizing a series of Artist in Residence opportunities in cooperation with The Royal Danish Academy, School of Design Bornholm, Denmark and with Berlin Glas, Germany. European Glass Context 2012 forms part of a biennial symposium for European contemporary glass and ceramics on the island of Bornholm in Denmark.
Two residencies are available to professional glass artists who are expected to be proficient in the processes and techniques laid out in their residency application. Selected artists will be given time and space to develop a new project or body of work in glass. Each residency will provide four to six weeks access to studio facilities and basic materials. The deadline for both residencies is 1st May 2012.
W: http://www.europeanglasscontext.com/events/air-bornholm
European Glass Context 2012 is organizing a series of Artist in Residence opportunities in cooperation with The Royal Danish Academy, School of Design Bornholm, Denmark and with Berlin Glas, Germany. European Glass Context 2012 forms part of a biennial symposium for European contemporary glass and ceramics on the island of Bornholm in Denmark.
Two residencies are available to professional glass artists who are expected to be proficient in the processes and techniques laid out in their residency application. Selected artists will be given time and space to develop a new project or body of work in glass. Each residency will provide four to six weeks access to studio facilities and basic materials. The deadline for both residencies is 1st May 2012.
W: http://www.europeanglasscontext.com/events/air-bornholm
Tuesday, 20 March 2012
ELEMENTS & TELLING TALES, SHANGHAI
Elements and Telling Tales are two exhibitions by contemporary Irish and Chinese artists which open in Shanghai on 16th March 2012. These exhibitions have a strong representation of artists from Cork and are part of Irish Wave 2012, organised by Fion Gunn.
Elements is an exhibition of contemporary glass and ceramics, curated by Mary Mackey, in association with Kevin Callaghan and Professor Xiaowei Zhuang. Telling Tales is a multi-media exhibition of Irish and Chinese artists, curated by Fion Gunn.
W: www.bigsmallartists.com
Elements and Telling Tales are two exhibitions by contemporary Irish and Chinese artists which open in Shanghai on 16th March 2012. These exhibitions have a strong representation of artists from Cork and are part of Irish Wave 2012, organised by Fion Gunn.
Elements is an exhibition of contemporary glass and ceramics, curated by Mary Mackey, in association with Kevin Callaghan and Professor Xiaowei Zhuang. Telling Tales is a multi-media exhibition of Irish and Chinese artists, curated by Fion Gunn.
W: www.bigsmallartists.com
TGK GLASS COMPETITION
The theme for the 2012 TGK glass competition is ‘All you need is glass.’ TGK are looking forward to welcome glass artists and glass designers from all over the world that set no limits to work with glass in their own particular way. All participants and winners can benefit from lucrative prizes and good PR. The closing date for applications is 2nd April 2012.
W: www.tgk.de
The theme for the 2012 TGK glass competition is ‘All you need is glass.’ TGK are looking forward to welcome glass artists and glass designers from all over the world that set no limits to work with glass in their own particular way. All participants and winners can benefit from lucrative prizes and good PR. The closing date for applications is 2nd April 2012.
W: www.tgk.de
Monday, 27 February 2012
INTERNATIONAL CLASSES BY ANNA BOOTHE
Anna Boothe will be teaching a range of workshops internationally in the coming months and is trying to help the schools with outreach to find interested students. One is in March at GlassRoots in Newark, NJ and the other is in July at the Glass Furnace in Turkey. The Glass Furnace will give a 10% discount on tuition to any student who responds to her invitation. Please contact Anna if you have any questions, or want more specifics, about either of the classes.
GlassRoots, Newark, NJ
24th -25th March 2012
www.glassroots.org
W: http://www.glassroots.org/products.asp?sc=1:Workshops&ssc=3:Kilnforming
The Glass Furnace, Istanbul, Turkey
3rd – 14th July 2012
www.camocagi.org
W: http://camocagi.org/tr/programs-display/1/20/79
E: annaboothe@verizon.net
W: www.annaboothe.com
Anna Boothe will be teaching a range of workshops internationally in the coming months and is trying to help the schools with outreach to find interested students. One is in March at GlassRoots in Newark, NJ and the other is in July at the Glass Furnace in Turkey. The Glass Furnace will give a 10% discount on tuition to any student who responds to her invitation. Please contact Anna if you have any questions, or want more specifics, about either of the classes.
GlassRoots, Newark, NJ
24th -25th March 2012
www.glassroots.org
W: http://www.glassroots.org/products.asp?sc=1:Workshops&ssc=3:Kilnforming
The Glass Furnace, Istanbul, Turkey
3rd – 14th July 2012
www.camocagi.org
W: http://camocagi.org/tr/programs-display/1/20/79
E: annaboothe@verizon.net
W: www.annaboothe.com
EUROPEAN GLASS CONTEXT 2012 ARTIST IN RESIDENCE PROGRAMMES
European Glass Context 2012 are organizing a series of Artist Residences in cooperation with partners on Bornholm and with European partners.. Further information will be announced shortly. Selected artists will be given the time and space to develop a new project or body of work in glass. The residency provides four - six weeks access to studio facilities and basic materials. The residencies are offered to professional glass artists, who are expected to be proficient in the processes and techniques discussed in their residency application.
The period of the residency is granted to the named resident only, partners and other makers are not allowed to work in the studios during this time.
During the period of the residency it is incumbent on the resident to communicate, aid and assist his or her fellow resident in an open and friendly manner. This interaction and exchange is seen as being one of the benefits and challenges of the residence period. Residencies are offered at The Royal Danish Academy, School of Design Bornholm (DK) and at Berlin Glas (DE). The deadline for both residencies is 1st May 2012.
W: http://www.europeanglasscontext.com/events/air-bornholm
European Glass Context 2012 are organizing a series of Artist Residences in cooperation with partners on Bornholm and with European partners.. Further information will be announced shortly. Selected artists will be given the time and space to develop a new project or body of work in glass. The residency provides four - six weeks access to studio facilities and basic materials. The residencies are offered to professional glass artists, who are expected to be proficient in the processes and techniques discussed in their residency application.
The period of the residency is granted to the named resident only, partners and other makers are not allowed to work in the studios during this time.
During the period of the residency it is incumbent on the resident to communicate, aid and assist his or her fellow resident in an open and friendly manner. This interaction and exchange is seen as being one of the benefits and challenges of the residence period. Residencies are offered at The Royal Danish Academy, School of Design Bornholm (DK) and at Berlin Glas (DE). The deadline for both residencies is 1st May 2012.
W: http://www.europeanglasscontext.com/events/air-bornholm
TALLINN 6TH APPLIED ART TRIENNIAL 2012
The theme for the 2012 Tallinn Applied Art Triennial is 'The Art of Collecting'.The Triennial welcomes entries that in any form deal with themes related to collecting and collections. The exhibition is o pen for individual creators as well as artists' groups from all disciplines of the applied arts. Apart from traditional object types such as vessels, utensils, sculptures, tapestries, clothes and pieces of jewellery or furniture, the triennial also welcomes works in other genres.
The triennial is international with no geographical restrictions. It is open to both professionals and university students. The artist must hold the copyright to his or her own work, and the work may not have been created under an academic supervisor.
The exhibition will take place from 23.11.2012 through 3.02.2013 at the Estonian Museum of Applied Art and Design, Tallinn, Estonia.
Works for the exhibition will be selected by an international jury leaded by the curator of the exhibition. The selection will be chosen anonymously and will be based on submitted digital image material received by March 5th, 2012.
W: www.trtr.ee
The theme for the 2012 Tallinn Applied Art Triennial is 'The Art of Collecting'.The Triennial welcomes entries that in any form deal with themes related to collecting and collections. The exhibition is o pen for individual creators as well as artists' groups from all disciplines of the applied arts. Apart from traditional object types such as vessels, utensils, sculptures, tapestries, clothes and pieces of jewellery or furniture, the triennial also welcomes works in other genres.
The triennial is international with no geographical restrictions. It is open to both professionals and university students. The artist must hold the copyright to his or her own work, and the work may not have been created under an academic supervisor.
The exhibition will take place from 23.11.2012 through 3.02.2013 at the Estonian Museum of Applied Art and Design, Tallinn, Estonia.
Works for the exhibition will be selected by an international jury leaded by the curator of the exhibition. The selection will be chosen anonymously and will be based on submitted digital image material received by March 5th, 2012.
W: www.trtr.ee
Friday, 17 February 2012
PILCHUCK SCHOLARSHIPS
Pilchuck's scholarships mostly take the form of a partial reduction in fees while several full scholarships are also available. Artistic merit is the primary criterion for scholarship awards and is determined by an outside jury of professionals who score applicants on the quality of submitted materials. The scholarship deadline is 13th February 2012.
W: www.pilchuck.com
Pilchuck's scholarships mostly take the form of a partial reduction in fees while several full scholarships are also available. Artistic merit is the primary criterion for scholarship awards and is determined by an outside jury of professionals who score applicants on the quality of submitted materials. The scholarship deadline is 13th February 2012.
W: www.pilchuck.com
EUROPEAN GLASS CONTEXT 2012 – CONFERENCE
European Glass Context 2012 forms part of a biennial symposium for European contemporary glass and ceramics on the island of Bornholm in Denmark. A conference will be held on 16th and 17th September 2012 which aims to spotlight and address current themes impacting contemporary European glass.
The studio glass movement is now celebrating its 50th anniversary as an independent artistic practice. Half a century is a significant amount of time, yet the movement still seems young seen in the perspective of general art history. This calls for an opportunity to take stock of and look ahead for future opportunity, relevance, positioning, development, discussion etc.
What did the studio glass movement set out to do, and what did they achieve?
How does the studio glass movement identify itself in a craft and art context?
How can glass in the future position itself in the consciousness a larger audience? And where does the responsibility to do so lie?
Do we need any changes at all in the way we think about and make glass..?
This is an open call for anyone to submit proposals for talks and suggestions for presenters and themes for this conference. Your proposal must be max. 1 page. Please enclose your current CV and/or artist statement. The deadline to submit a proposal is 15th April 2012
W: www.europeanglasscontext.com
European Glass Context 2012 forms part of a biennial symposium for European contemporary glass and ceramics on the island of Bornholm in Denmark. A conference will be held on 16th and 17th September 2012 which aims to spotlight and address current themes impacting contemporary European glass.
The studio glass movement is now celebrating its 50th anniversary as an independent artistic practice. Half a century is a significant amount of time, yet the movement still seems young seen in the perspective of general art history. This calls for an opportunity to take stock of and look ahead for future opportunity, relevance, positioning, development, discussion etc.
What did the studio glass movement set out to do, and what did they achieve?
How does the studio glass movement identify itself in a craft and art context?
How can glass in the future position itself in the consciousness a larger audience? And where does the responsibility to do so lie?
Do we need any changes at all in the way we think about and make glass..?
This is an open call for anyone to submit proposals for talks and suggestions for presenters and themes for this conference. Your proposal must be max. 1 page. Please enclose your current CV and/or artist statement. The deadline to submit a proposal is 15th April 2012
W: www.europeanglasscontext.com
Tuesday, 24 January 2012
PILCHUCK INTERNSHIPS
Pilchuck offers internships that are ideal for emerging and experienced artists who wish to further develop their professional and technical expertise. Pilchuck will provide a small stipend, housing, meals, some studio access, and the opportunity to occasionally sit in on lectures, demonstrations, and participate in special events. International artists are encouraged to apply.
By design, the educational program at Pilchuck varies from session to session; each new combination of classes, instructors, assistants, and students creates a unique rhythm and energy. To support each session effectively, it is vital that interns exhibit flexibility both in spirit and working responsibility.
A schedule will be developed between each person and their supervisor based on the needs of the session program. Schedules will be based on a forty hour week and will vary from week to week balancing times of high program demand with times when the load is light. Individual learning and participation happens during the performance of duties as well as during off duty time when interns are free to experience all aspects of the campus and its programs
Internship Positions:
- Hot Shop Intern
- Cold Shop Intern
- Flat Shop Intern
- Print Shop Intern
- Librarian
- Maintenance Assistant (3 positions)
- Kitchen Assistant (5 positions)
- Driver/Supplies Assistant
- Night Monitor
- Auction Intern
W: http://www.pilchuck.com/summer_program/internships_v2012.aspx
Pilchuck offers internships that are ideal for emerging and experienced artists who wish to further develop their professional and technical expertise. Pilchuck will provide a small stipend, housing, meals, some studio access, and the opportunity to occasionally sit in on lectures, demonstrations, and participate in special events. International artists are encouraged to apply.
By design, the educational program at Pilchuck varies from session to session; each new combination of classes, instructors, assistants, and students creates a unique rhythm and energy. To support each session effectively, it is vital that interns exhibit flexibility both in spirit and working responsibility.
A schedule will be developed between each person and their supervisor based on the needs of the session program. Schedules will be based on a forty hour week and will vary from week to week balancing times of high program demand with times when the load is light. Individual learning and participation happens during the performance of duties as well as during off duty time when interns are free to experience all aspects of the campus and its programs
Internship Positions:
- Hot Shop Intern
- Cold Shop Intern
- Flat Shop Intern
- Print Shop Intern
- Librarian
- Maintenance Assistant (3 positions)
- Kitchen Assistant (5 positions)
- Driver/Supplies Assistant
- Night Monitor
- Auction Intern
W: http://www.pilchuck.com/summer_program/internships_v2012.aspx
Sunday, 1 January 2012
EMER LYNCH – 2012 AA2A ARTIST AT UNIVERSITY OF SUNDERLAND
In January 2012, glass artist Emer Lynch will travel to the University of Sunderland to participate in their Artists’ Access to Art Colleges programme. Here, she will develop her work in their Architectural Glass department. She will act as artist, mentor and speaker, and will give a presentation on her work on 17th January 2012. Updates about her experiences at the University of Sunderland and photographs showing the progression of her work will be posted on her AA2A blog: http://aa2a.biz/pg/profile/emer
W: www.facebook.com/Emer.Lynch.Glass
In January 2012, glass artist Emer Lynch will travel to the University of Sunderland to participate in their Artists’ Access to Art Colleges programme. Here, she will develop her work in their Architectural Glass department. She will act as artist, mentor and speaker, and will give a presentation on her work on 17th January 2012. Updates about her experiences at the University of Sunderland and photographs showing the progression of her work will be posted on her AA2A blog: http://aa2a.biz/pg/profile/emer
W: www.facebook.com/Emer.Lynch.Glass
BERLIN GLAS e.V. HOT GLASS STUDIO LAUNCHED, BERLIN
On December 9th 2011, Berlin Glas, e.V. inaugurated the very first glassblowing studio in Berlin! Nadania Idriss is the Director of Berlin Glas e.V., and Operations Directors are Timothy Belliveau and Phillip Bandura of The Bee Kingdom, Canada. They were very excited to have an audience filled with glass fans, friends and artists who came to give their support to this project. Pictures of the opening night are on their Facebook page (http://www.facebook.com/berlinglas.org).
Classes and rentals are now available for sign-up via the website under Booking (http://berlinglas.org/home/booking/).
W: www.berlinglas.org
T: +49 (0)30/315.667.24
On December 9th 2011, Berlin Glas, e.V. inaugurated the very first glassblowing studio in Berlin! Nadania Idriss is the Director of Berlin Glas e.V., and Operations Directors are Timothy Belliveau and Phillip Bandura of The Bee Kingdom, Canada. They were very excited to have an audience filled with glass fans, friends and artists who came to give their support to this project. Pictures of the opening night are on their Facebook page (http://www.facebook.com/berlinglas.org).
Classes and rentals are now available for sign-up via the website under Booking (http://berlinglas.org/home/booking/).
W: www.berlinglas.org
T: +49 (0)30/315.667.24
INTERNATIONAL GLASS PRIZE 2012
The International Glass Prize is a triennial international glass competition for arts, design and crafts. This first edition is focusing on ‘The Object’. Prizes for this award include maximum of €10,000 cash fund and residency prizes. The jury panel for the award consists of Tina Oldknow, Richard Meitner, Jan Boelen and Jeroen Maes. The deadline for applications is 31st January 2012.
E: info@internationalglassprize.be
W: www.internationalglassprize.be
The International Glass Prize is a triennial international glass competition for arts, design and crafts. This first edition is focusing on ‘The Object’. Prizes for this award include maximum of €10,000 cash fund and residency prizes. The jury panel for the award consists of Tina Oldknow, Richard Meitner, Jan Boelen and Jeroen Maes. The deadline for applications is 31st January 2012.
E: info@internationalglassprize.be
W: www.internationalglassprize.be
GLASS FINE ARTS TUTOR VACANCY, NEW ZEALAND
This is an exciting position to lecture in the Diploma Glass programme at Whanganui UCOL. A lecturer with a post graduate qualification and experience in Glass Design and Production is required. The position requires teaching of course work, in addition to papers as determined by the candidate’s area of expertise and the needs of the programme. Preference will be given to candidates with a high level of oral and written skills, flexible approach to teaching and learning and a commitment to academic excellence.
Please submit a portfolio of your work as evidence of your expertise. The closing date is Thursday 12th January 2012.
W: http://www.seek.co.nz/Job/tutor-fine-arts/in/manawatu-wanganui/21308177
This is an exciting position to lecture in the Diploma Glass programme at Whanganui UCOL. A lecturer with a post graduate qualification and experience in Glass Design and Production is required. The position requires teaching of course work, in addition to papers as determined by the candidate’s area of expertise and the needs of the programme. Preference will be given to candidates with a high level of oral and written skills, flexible approach to teaching and learning and a commitment to academic excellence.
Please submit a portfolio of your work as evidence of your expertise. The closing date is Thursday 12th January 2012.
W: http://www.seek.co.nz/Job/tutor-fine-arts/in/manawatu-wanganui/21308177
Thursday, 22 December 2011
SCULPTURE BIENNALE 2012, THE KING'S GARDEN, COPENHAGEN
For more than forty years, a large sculpture exhibition has been held in the King`s Gardens in downtown Copenhagen where Rosenborg Castle is situated. The garden is Copenhagen's most used park and is visited annually by over three million people. The exhibition will take place between 25th August 2012 and 21st October 2012.
The exhibition is free to participate in and each artist may exhibit up to two sculptures. Each sculpture must be able to stand in a public space. Each artist must pay their own transportation costs (www.DSV.com is recommended for transport enquiries. The Danish Sculptor Society aim to raise funds with participating artists for the transportation of pieces to the exhibition). The sculptures are not insured by the Danish Sculptor Society; participating artists must have liability insurance. The Danish Sculptor Society will publish an exhibition newspaper, provides PR, guided tours and events in conjunction with the exhibition.
In order to plan the Sculpture Biennale, please pre-register expressions of interest by email before 11th December 2011 to: schaarup@c.dk (email subject: THE KING'S GARDEN 2012). Following this, a registration form will be sent at the beginning of 2012.
W: See photos from previous years' exhibitions at: www.skulptur.dk / exhibitions / King's Garden
For more than forty years, a large sculpture exhibition has been held in the King`s Gardens in downtown Copenhagen where Rosenborg Castle is situated. The garden is Copenhagen's most used park and is visited annually by over three million people. The exhibition will take place between 25th August 2012 and 21st October 2012.
The exhibition is free to participate in and each artist may exhibit up to two sculptures. Each sculpture must be able to stand in a public space. Each artist must pay their own transportation costs (www.DSV.com is recommended for transport enquiries. The Danish Sculptor Society aim to raise funds with participating artists for the transportation of pieces to the exhibition). The sculptures are not insured by the Danish Sculptor Society; participating artists must have liability insurance. The Danish Sculptor Society will publish an exhibition newspaper, provides PR, guided tours and events in conjunction with the exhibition.
In order to plan the Sculpture Biennale, please pre-register expressions of interest by email before 11th December 2011 to: schaarup@c.dk (email subject: THE KING'S GARDEN 2012). Following this, a registration form will be sent at the beginning of 2012.
W: See photos from previous years' exhibitions at: www.skulptur.dk / exhibitions / King's Garden
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